Today I’m delving into the mind of author Isobel Blackthorn and I have to admit to being both excited and a little nervous. Isobel’s books are brilliant, and having a thrilling dark edginess. She holds a PhD in Western Esotericism and the occult features in most of her writing. So far Isobel has published five novels, The Legacy of Old Gran Parks, The Cabin Sessions, A Perfect Square, The Drago Tree and Asylum, and a short story collection, All Because of You. An avid writer, her current work includes two dark psychological thrillers and a biographical fiction of occultist, Alice Bailey. If this little taste leaves you wanting more, visit her website.

Which writer or writers opened your eyes to the magic of storytelling and why?

I’ve always been an avid reader and it’s hard to single out any particular author. As a child Pastures of the Blue Crane by Hesba Fay Brinsmead left a deep and lasting impression. In my early twenties, I was captivated by Hermann Hesse and Franz Kafka, and then by Doris Lessing. I devoured her entire Children of Violence series, which is set in what was then Rhodesia, and much of her Canopus in Argos Archives, which is amazing science fiction. A little later I read Iain Banks’ The Wasp Factory, and I loved the novel so much I read everything by him I could lay my hands on and there was a stage when I didn’t read any other author. I wasn’t reading much during that phase of my life, it was a dark period, and Iain Banks kept me going. I’ve always felt a profound sense of belonging to the world of novelists, even before I was one, as though the authors whose books I loved were sitting beside me as friends.

Why do you think people need stories in their lives?

Stories give shape to our lives. Stories help us make sense of the world. Stories open us to our own imaginations. Morality, empathy, compassion and understanding, all these qualities are enhanced by reading fiction. For many, stories are a form of escape from the burden of life, a way to unwind, or a form of entertainment. Even then, a story may invite us to ponder or question.

What is your greatest magical power as a writer?

What an interesting question! All storytellers are magicians. All creativity is a form of magic. We cast spells on the minds of our readers, viewers, listeners. We enchant. And we do so to manipulate the reader into seeing the world our way, or another way, if only for a while. We might be trying to transform the reader in some way. Even at the level of pure entertainment, a novel is enchantment, the reader is taken away from their ordinary reality and into their imaginations.

Which mythic archetype or magical character most resonates with you and why?

The Fool. I walk through life and into situations naively and largely unaware of the people around me and their hidden motives and agendas. I have a sort of natural blindness. I take people at face value and in good faith. I accept what they present to me as truth. I fail to see the shadow. Therefore, I have been tricked and deceived, abused and trampled on, or treated as though I am not worth more than as somewhere to wipe one’s feet.

That said, I do not carry around a sense of victimhood and I am not bitter, I simply keep walking on, just as the Fool keeps walking. Although with age, I am a little wiser. We are all made wiser if we try to learn from situations and our mistakes. I have learned that people lie. I have learned that people run their own agendas. I have learned that the person who tells you to beware of someone stabbing you in the back, is in all likelihood holding the knife. On the up side, I have accumulated a treasure chest of experiences and every writer needs those!

What themes or ideas do you find keep arising in your writing?

The occult crops up in most of my writing as a theme, as do art and social justice. I have a passion for the Canary Islands (Spain), and set some of my stories there. Each novel I write is distinct. I write across genres and I like to explore a range of ideas. A Perfect Square is a good example of the themes I like to explore. On one level, it is a story about different approaches to creativity. It is also a dark mystery concerning two mothers and their daughters.