Tag: writer

What we learn in sorrow

What we learn in sorrow

In Australia at the moment many are grieving. Bushfires have swept our country, taking out huge tracts of land, homes, and many, many lives, both human and wildlife. I have stopped looking at the news because the images are too distressing. My heart grieves at so much loss. And now I have learned that a friend passed away, suddenly and unexpectedly. This year weighs on us all, bringing deep sorrow. It’s hard to see a way forward.

The sorrow of losing a friend

A dear friend, Wendy Dunn, introduced me to Elizabeth Jane Corbett, in 2016. We had both recently signed with the same publisher and Wendy thought it would be good if we could get to know each other and support each other through the journey to becoming published authors. My first impression of Elizabeth was that she was incredibly striking – very tall, with strong, beautiful features. Red was her signature colour. She had a direct way of speaking – you always knew where you stood with her. Over the next three years we spent time together at various writerly events. We shared market stalls at the Mythic Market and Supanova. We shared a room at Conflux in 2017, both newbie authors feeling imposter syndrome big time. Our late night chats were deep and insightful. And we reconnected at the Historical Novel Society conferences.

Elizabeth was an extraordinary writer. Her debut novel, The Tides Between, was shortlisted by the CBCA. It is a migration story, and a coming of age story, but to categorise it as that would be to fall far short. Woven through its tapestry of beautiful, beautiful writing are also Welsh myths and tales, which help young Bridie come to understand the world. At times devastating, Elizabeth’s book is one of those rare ones that I will take with me, in my heart and on my bookshelf, wherever I go. I interviewed Elizabeth on this blog in 2017 – you can read the interview here: An Interview with Elizabeth Corbett.

Living with passion

As I sit in sorrow, the thing I remember most about Elizabeth is her passion. It was a passion that seemed to have crept up on her unexpectedly. Elizabeth started learning Welsh as research for The Tides Between.  But when the book was finished, her learning didn’t, and it reached the point where she was actually teaching Welsh herself, and travelling to Wales regularly. Incredibly, she was interviewed about her book in Welsh on BBC Wales! That’s dedication to research. Next she started researching her second book, the story of Margret Glyn Dŵr, wife of the last Welsh Prince of Wales. And it turned into an obsession that led her to a Masters degree. It was on the verge of leading into a PhD. You can read all about it in her own words here.

I was in awe of Elizabeth’s passion. She found what she loved and she was completely true to it, pursuing it as far as she possibly could. When I look back now, and contemplate the loss of someone like Elizabeth, my sorrow arises as much from the loss of her friendship as from what she would have contributed in the future as a writer, historian and passionate Welshophile. I hope that her pursuit of her passion can inspire me to embrace my own, because in the end, a passionate life is one that is true to yourself. And that is one way to honour the life and legacy of someone like Elizabeth.

A journey into history with Wendy J. Dunn

A journey into history with Wendy J. Dunn

A very special blog post today as I interview historical fiction writer, dear friend and mentor-extraordinaire, Wendy Dunn. Wendy has been obsessed by Anne Boleyn and Tudor History since she was ten-years-old. She is the author of three Tudor novels: Dear Heart, How Like You This?, the winner of the 2003 Glyph Fiction Award and 2004 runner up in the Eric Hoffer Award for Commercial Fiction; The Light in the Labyrinth, her first young adult novel, and Falling Pomegranate Seeds, the first book in a series about Catalina (Catherine) of Aragon. To read more about Wendy and her books, click here to visit her website.

Which writer or writers opened your eyes to the magic of storytelling and why?

I fell in love with C.S. Lewis’s Narnia series when I was a child of ten. I was one of those children who lived in hope of finding a wardrobe that would take me into a world with fauns, talking animals, centaurs, flying horses, wicked witches, giants – a world where tree spirits danced on moonlit nights. These books showed me how we can escape and experience other worlds through the power of good storytelling.

Rosemary Sutcliff started my passion for historical fiction. Her world building is superb and powerfully take you back in time. But more important than that – her stories speak eloquently about what is to be human and leave the reader with a sense of hope. In dark, despairing moments, when I need comfort, her books are still high amongst my ‘go to’ books.

Why do you think people need stories in their lives?

Stories are part of our DNA, our human experience. Stories teach us that we are not alone. Stories give us a universal language– and have the power of taking us from the chaos of life to a life where we can find meaning. Stories also open the door to the experiences of others and build those important bridges where we can meet one another, learn from one another and return with a deeper sense of empathy.

What is your greatest magical power as a writer?

I persevere. By not giving up in this long writing journey of mine, I have discovered, as a writer, the truth of the saying, ‘Perseverance Furthers’.

Which mythic archetype or magical character most resonates with you and why?

Demeter. From childhood, I have always found something to mother, and I know the power of a mother’s love; my four adult children are the core of my existence. The Demeter’s myth speaks powerfully of a mother’s love and the grief of losing a child, and how a mother would do anything for the return of their child, so that child is safe in their arms again.

When I was writing The Light in the Labyrinth, this myth was very much on my mind. I saw Kate Carey, my main character, as being Persephone, who becomes entrapped in the Hades of the Tudor court. But it was her time there which led her back to her mother as a wiser and empathetic young woman.

What themes or ideas do you find keep arising in your writing?

Letting go, breaking the circle of the past, the sorrow of unrequited love, the power of forgiveness and the search for identity. Completing my PhD in 2014 also opened my eyes to the fact that my works can be explicated through Feminist Standpoint Theory.

The Light in the Labyrinth was my PhD artefact. Writing that work changed me. As a mother of three sons, I hesitated to call myself a feminist because I did not really understand what the feminist movement was all about. I now understand the feminist movement is all about women and men walking side by side as equals.

By the time I finished my young adult novel, I not only confronted again the societal space I occupy as a woman and the reality of how women’s power is something both given and taken away by patriarchy, but also the simple fact that we all need to be feminists. Our world will not be healed until that happens. This is the beating heart of why I write. I write from my experience as a woman about the experiences of women of the past in hope of empowering women today.

Wendy Dunn is a gifted writer whose work portrays the lives of well-loved historical characters through story telling that resonates with powerful emotions. To read more go to www.wendyjdunn.com.

Gratitude for Authors

Gratitude for Authors

Today I’m reflecting on gratitude. It’s almost twelve months since my book came out so I’ve been reflecting on what that year has been like*. Then this morning a friend shared a post on social media that rang about a million bells for me, and obviously for others who read it. It spoke about the experiences of author Tom McAllister, who received a lot of critical attention for his first three books, but still struggled with endless disappointments.

“Most of the writing life is disappointment. Publishing a book, which should be your most triumphant moment, is an anticlimax.”

There is so much in the article that reflects my psychological journey since being published. It’s a great read. But what really struck me was this paragraph:

“Many people close to you will disappoint you. But there are people who will come through, and they will keep coming through … I’ve learned to cherish those friends and family members who are always there, or even sometimes there. It takes real sacrifice on their part to support this weird thing I do. It takes money and time for them to seek the book out, to ask their local shops and libraries to carry it, to share it on social media.” 

I’ve had a note sitting in my journal for a while to write a blog post about gratitude. Reading this paragraph made me want to do it straight away. Because I am deeply, deeply grateful for the support I’ve had in the last year, sometimes from entirely unexpected quarters, and it’s about time I expressed that. An amazing number of people have ‘come through’ for me in the twelve months since publication. Not always who I expected to either. I’m not going to name names because I don’t want to miss anyone out. I want to express my deep, deep gratitude for:

  • friends and family who have actually bought my book. And those who have bought my book for a family member or friend. 
  • those who have taken the time to post reviews or have shared my book with others. With all my experiments in and reading about social media, it seems to me the only thing that really, really works is word of mouth. So every single person who has done this is worth their weight in titanium, gold and other shiny things. (And anyone who knows me knows how much I love shiny things!)
  • those who have asked libraries or bookshops to get my book in, whether they were successful or not

    Harlequin at Stonehenge
  • fellow authors or bloggers who have hosted me or let me write an article on their website
  • those who are on a similar journey to me who have shared market stalls, war stories, hot tips, and coffee
  • anyone who has retweeted a tweet, shared a blog post or in any way helped my voice go a little further than bouncing around inside my head
  • conference or presentation organisers who’ve booked me to talk or be on panels. Your faith in me matters.
  • every single person who has said to me “when’s the next book coming out?”. Because it makes me feel like I’m doing something right
  • the wonderful people who have been there on the bad days to tell me, “you are a good writer, keep going”
  • anyone who has sent me a photo of my book in an unusual place
  • my family for dealing with my semi-regular writer crazies. And buying me chocolate and shiny things.
  • my publisher for believing in me in the first place. It’s what every writer dreams of.
  • the owner of that resort in Bali who offered me a week’s free accommodation with all meals so I can write in paradise with no distractions … oh wait, that was a dream.

Gratitude is a muscle worth stretching. It can help you shift to a more positive focus. It can make you feel better – and more connected. Being a writer is tough. Being a published author is also tough, in a whole different way. It’s easy to get caught up in the negatives. The lack of attention, the low sales. The feeling that you’re shouting in a very, very large room, while all around you everyone else is shouting too: “notice me”. But the truth is, some people have noticed. Some people have shown their support, in myriad ways. Some people are listening to my stories. And I am so, so grateful.

* You will NOT find me using the term ‘book birthday’. I hate it. Not sure why. Just do.

 

The Introvert Paradox

The Introvert Paradox

When I was a child, I worked out pretty early on that I didn’t relate to the world the way the majority of people did. I didn’t like crowds, or too much noise. While I wanted party invitations so I wouldn’t feel excluded, I didn’t want to actually go. My happy place was at home, reading a book, in the quiet. Big group get-togethers were a nightmare – I much preferred one-on-one conversations. And I wasn’t good at chit chat. I wanted my conversations to be meaningful and authentic. People didn’t seem to want to have discussions at the deep level I wanted. They didn’t seem to notice or think about the same things I did. I felt things ‘too deeply’, strongly affected by what happened to myself and others. People often labelled me shy, but in reality I was highly introverted.

Perhaps if I’d had parents who recognised my fundamental nature and didn’t try to force me to be different, I would have been able to accept who I was. But at home and in the outside world I was constantly told I was ‘too serious’ and ‘too sensitive’. I was often forced into situations that I found deeply uncomfortable. I quickly learned there was something fundamentally wrong with me.

When I went to university I studied social work. I learned I was a very empathic listener, but I hated the role plays that were a big part of my training. Once I started work my sensitivity was valuable in working with people who were at a crisis or low point in their lives. But I would end my workdays completely exhausted, overwhelmed by other people’s emotions. I knew I wouldn’t be able to stay in the profession long term as the emotional cost was too high.

The book that made a difference

In 2013 I came across a newly published book, Quiet, by Susan Cain. This book was a revelation for me. It grabbed me from the first blurb, when I read:

‘Sensitivity and seriousness are often seen as undesirable. Introverts feel reproached for being the way they are.’

That was me.

Cain’s book outlines how the brain chemistry of an introvert is different to that of an extrovert. Research shows that sensitivity, the tendency to notice more and to feel and think deeply are all hardwired into the introvert brain (p. 103). Yet society does not reward or even cater to introverts. They often feel like fish out of water. Cain made me realise there is nothing ‘wrong’ with having an introvert brain. (If you want to know more, start with her TED talk – follow the link.)

From the age of eight I wanted to be a writer, and the more I understood my nature, the more I thought this was a job that would suit me. (Which is not to say I chose it for that reason – it chose me really, because I always had stories running around inside my head, and I HAD to let them out, but it helps to find work that suits your personality.) Alongside my sensitivity, I was highly imaginative, and could easily work on my own for long periods of time. At school I was always daydreaming, creating places and characters and stories.

I achieved my dream of being a published author in June 2017. And almost immediately descended into a pit of despair. Because somehow being an author now seems to require a high degree of extroversion.

Extroversion Required

I don’t have a problem with giving talks or being on panels. I have a background in improvised theatre, and as someone who thinks deeply about all sorts of things I have a lot of ideas I can talk about. So I actually love that side of being ‘an author’. What I have a problem with is the regular social media socialising and the requirement to be a marketing person.

Authors are constantly told now that they must have a strong social media presence in order to sell their books. They need to join and actively engage in numerous groups and platforms. The risk is, if you do this just to sell books, you’re not being authentic and you are using the people around you.  Social media can allow for authentic and meaningful engagement. I wouldn’t want to do it otherwise. But that takes time. I run my own editing business and parent two teenagers whilst being an author, so time is in short supply. The more time I spend on social media, the less I have to write or be with my family. And as an introvert, I recharge my batteries through time alone. So social media is a constant weight on my shoulders.

As for marketing, this requires an extrovert approach. You need to be willing to draw attention to yourself and talk up your author ‘brand’ and your books. This might be in person, such as at a market stall, on social media, or through writing copy. And I really, really struggle with this, for a range of reasons, but fundamentally because it’s like asking a fish to climb a tree – it goes against my introvert nature to the point where I feel sick and anxious. I am often torn between the expectation that I do ‘marketing’, and my overwhelming need to run screaming in the other direction. I could do a whole other blog post about the damage that is done to introverts by expecting them to behave like extroverts but I’m already over my word count so I’ll come back to that.

So where is the paradox?

Well, the thing is, I think my introvert nature is an asset to my actual writing. My hypersensitivity – my tendency to notice things others don’t and to think and feel deeply about them – all help me paint my stories with vivid colours. I think these personal characteristics make me a better writer.* But in the last year I’ve spent a lot of time sobbing quietly to myself at the realisation that either I have to actively undertake marketing, the mere thought of which escalates my anxiety to ridiculous levels, or come to terms with the fact that my stories won’t be noticed in a book market that is crowded with authors going ‘look at me!’.

I definitely haven’t found any answers to the paradox. All I know is that some days I can live with the tension between who I am as an author and who I’m supposed to be, and other days I can’t. But if you’re an introvert author, please know you’re not alone. Maybe we can have a deep and meaningful chat in a quiet corner at a writers festival some day soon.

 

* I am not comparing myself to anyone else here. Just to myself. I am not in any way putting down extroverts or saying I’m in any way better. And there you have a classic example of the introvert tendency to worry about every single thought that comes out of my brain, and whether I’ve upset anyone and… argh!!! Overthinking is definitely an introvert thing.

The secret to being a writer

The secret to being a writer

For a long time this wasn’t a secret that was made readily available to people. It was a deep, hidden truth that was not spoken about. But in recent years I have heard a few authors break the silence by talking publicly and honestly about what makes you a great writer. And I’m going to reveal that secret here today. It comes down to this.

Write.

Yup. That’s it. Write today, write tomorrow, write the day after. Keep writing, and you will keep getting better. There is a bit more to it, of course. That’s why there are millions of books out there, and lots of courses, workshops and degrees. But it begins with writing. Regularly.

Okay, now here’s some of the ‘more’. Write with the right attitude. Once you’ve finished the first draft of your first novel, congratulations, have a drink, love your work. But PLEASE don’t decide that’s it, you’re done, and start sending it out to publishers on the premise that you are so darned talented that the first person who gets it is going to snap it up. That way lies frustration and anger when it’s not snapped up by the first reader, or the second one. Or the third…

How Published Authors Got There

Authors with an established track record of published books edit their work. They don’t just decide that the first draft is perfect. They know writing takes effort, a critical eye, and a willingness to keep doing the job until it is done. You’re not doing yourself any favours if you decide after a first draft that the responsibility is now in the hands of the publishers to recognise how amazing your novel is. The reality is that the responsibility is still in your hands to get it to amazing.

So when I say the secret to writing is to write, what I actually mean is to write, then re-write, then re-write some more. Be open to recognising that writing takes work. Take the time to read through what you have written, but remember to keep your brain open. Have the attitude that you want to be a good writer, not just a star, and recognise that that takes work. Oh yes, and one other thing. Read. A lot. But that’s a post for another day.